define('DISALLOW_FILE_EDIT', true); define('DISALLOW_FILE_MODS', true);{"id":2,"date":"2014-04-16T23:07:59","date_gmt":"2014-04-16T23:07:59","guid":{"rendered":"http:\/\/www.singingonstage.co.uk\/?page_id=2"},"modified":"2023-04-26T12:31:54","modified_gmt":"2023-04-26T11:31:54","slug":"sample-page","status":"publish","type":"page","link":"https:\/\/www.singingonstage.co.uk\/","title":{"rendered":"About our book"},"content":{"rendered":"\n

*Nominated for \u2018Outstanding Book of the Year Award for Theatre and Higher Education<\/em>\u2019 (ATHE)
*Named in the \u2018Top 7 Training Books of 2014<\/em>\u2019 by The Stage<\/strong><\/span><\/p>\n\n\n\n

Singing is an integral part of the actor training at the Royal Academy of Dramatic Art in London. For the first time, this accessible and practical guide offers an insight into the techniques and ideas which have been developed there over generations.<\/p>\n\n\n\n

Jane Streeton and Philip Raymond are highly experienced teachers and performers. Their book is a companion for complete beginners as well as professional actors who wish to develop their understanding of Singing on Stage.<\/p>\n\n\n\n

RADA graduates and other inspirational practitioners discuss the rewards and the importance of singing training.
In addition there are:<\/p>\n\n\n\n

\u2022 listening suggestions
\u2022 vocal exercises
\u2022 lists of repertoire
\u2022 advice about how to choose the most appropriate songs for you<\/p>\n\n\n\n

Jane and Philip positively advocate exploring the freedom of each actor\u2019s authentic voice, as opposed to any \u2018one size fits all\u2019 or \u2018quick fix\u2019 approach. It is hoped that the joy of communicating the sensation of good singing will emerge from these pages and provide encouragement and inspiration to a future generation of actor\/singers.
ISBN-10: 1408145472 | ISBN-13: 978-1408145470<\/p>\n\n\n\n

Follow Singing on Stage on Twitter: @streetonraymond<\/a><\/p>\n\n\n\n

Cover photograph: Bertie Carvel in Matilda the Musical
Cover design: Catherine Wood
Cover image: Manuel Harlan\/Royal Shakespeare Company<\/p>\n","protected":false},"excerpt":{"rendered":"

*Nominated for \u2018Outstanding Book of the Year Award for Theatre and Higher Education\u2019 (ATHE)*Named in the \u2018Top 7 Training Books of 2014\u2019 by The Stage Singing is an integral part of the actor training at the Royal Academy of Dramatic Art in London. For the first time, this accessible and practical guide offers an insight […]<\/p>\n","protected":false},"author":1,"featured_media":23,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"page-templates\/front-page.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.singingonstage.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/2"}],"collection":[{"href":"https:\/\/www.singingonstage.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.singingonstage.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.singingonstage.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.singingonstage.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":18,"href":"https:\/\/www.singingonstage.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":187,"href":"https:\/\/www.singingonstage.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/187"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.singingonstage.co.uk\/index.php?rest_route=\/wp\/v2\/media\/23"}],"wp:attachment":[{"href":"https:\/\/www.singingonstage.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}